For several years, the evidence has been there to see: nature is coming back in force in society's discussions as much as in the imagination of contemporary creators. What with the call for collective responsibility to safeguard it and the multiplication of urban substitutes, nature seems omnipresent, whereas we have never been so distanced from it. The central subject of very pragmatic challenges, its original inspirational power is effecting a transformation and confronting mankind with the question of its use. Contemporary creation has made itself into an eloquent interpreter of this and is delineating ...

Death is omnipresent in the media and in our leisure distractions. Yet we avoid direct contact with those lifeless corpses which confront us with our own fragility. Our diversionary tactics vary: over-elaborate ritualisation or, on the contrary, an aseptic and depersonalised relationship.
The funerary urn, an object made to preserve the deceased ashes and dissimulating them in a neutral container, belongs to these tactics. Its aesthetics are usually solemn if not morbid. How to remediate this?